Note
Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.
MusicStack has partnered with a vinyl to CD conversion service who will convert the 12" to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the 12" to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the 12" only for your ears. The 12" and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the 12" + 0 conversion to recordable CD + cost of shipping of the 12" to Arizona + cost of shipping of the 12" from Arizona to your location paid in advance.
Format:
12"
Condition:
NEAR MINT (NM OR M-) / NEAR MINT (NM OR M-) (Media / Cover) More Info
Notes Scottish Rain produced by The Silencers and Flood. Mixed by Mark Wallis. All other tracks recorded live at the Glasgow Pavilion on 7.3.89 by Radio Clyde Mobile. Live sound by Johnny Ramsey. Engineered by Alastair Owen. Mixed by Mark Wallis. Design by T + CP Associates London. Photography: Camera Press. (p) & (C) 1989 BMG Records (UK) Ltd. Printed in England
PetesMusic UK (Cambridgeshire, United Kingdom)
Overall Rating:
Feedback: 100% positive (147 ratings) Fill Rate: 78% availability Time To Ship: 1.6 days Response Time:Response Time: 0.2 days (4.7 hrs)
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------ EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------ VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------ GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------ FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------ POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------ BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------ CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
Payment Methods Accepted
PayPal
Shipping Costs
Please note 2LP counts as two units for shipping due to weight.
12"/10" VINYL OR LP shipped to UK Second Class - £3.59 GBP + £0.50 each additional 12"/10" VINYL OR LP shipped to UK Second Class RECORDED DELIVERY - £4.20 GBP + £0.50 each additional 12"/10" VINYL OR LP shipped to UK with First Class RECORDED DELIVERY - £4.70 GBP + £1 each additional 12"/10" VINYL OR LP shipped to EUROPE WITH INSURANCE - £8.50 GBP + £1.50 each additional 12"/10" VINYL OR LP shipped to EUROPE STANDARD AIRMAIL - £6.99 GBP + £1.20 each additional 12"/10" VINYL OR LP shipped to USA/CANADA STANDARD AIRMAIL - £14.90 GBP + £1.50 each additional 12"/10" VINYL OR LP shipped to USA/CANADA WITH INSURANCE - £17.90.00 GBP + £2.00 each additional 12"/10" VINYL OR LP shipped to rest of world WITH INSURANCE - £18.50 GBP + £2.00 each additional 12"/10" VINYL OR LP shipped to rest of world Standard - £14.99 GBP + £1.5 each additional cd or 7" vinyl/45 shipped to UK with - £1.60 UKP + £0.50 each additional cd or 7" vinyl/45 shipped to UK with RECORDED DELIVERY - £2.75 GBP + £0.50 each additional cd or 7" vinyl/45 shipped to UK WITH INSURANCE - £6.75 GBP + £0.50 each additional cd or 7" vinyl/45 shipped to EUROPE WITH INSURANCE - £8.75 GBP + £1.00 each additional cd or 7" vinyl/45 shipped to EUROPE STANDARD AIRMAIL - £3.99 GBP + £0.50 each additional cd or 7" vinyl/45 shipped to USA/CANADA with insurance - £8.00 GBP + £1.00 each additional cd or 7" vinyl/45 shipped to rest of world WITH INSURANCE - £9.00 GBP + £1.00 each additional
Return Policy
We will accept returns but buyer pays postage.
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery
