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George Gershwin

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Gershwin Plays Gershwin (The Piano Rolls)

                 


    



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Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.

        
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Format: CD
Condition: NEAR MINT (NM OR M-) / NEAR MINT (NM OR M-) (Media / Cover)    More Info
Label: Elektra Nonesuch 9792872
Country: US
Released: 1993
Num In Set: 1
Barcode: 27928720118
Quantity: 1 in stock
Seller Ref:   1002356970 25-3 1

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Tracklist
 
1Sweet And Lowdown3:30
2Novelette In Fourths2:24
3That Certain Feeling2:45
4So Am I4:14
5Rhapsody In Blue14:22
6Swanee2:17
7When You Want 'Em, You Can't Get 'Em, When You've Got 'Em, You Don't Want 'Em1:57
8Kickin' The Clouds Away3:20
9Idle Dreams2:59
10On My Mind The Whole Night Long2:30
11Scandal Walk3:15
12An American In Paris16:35


Identifiers
Matrix / RunoutVariant 1: 2 79287-2 SRC✽✻01 M1S2
Matrix / RunoutVariant 2: 2 79287-2 SRC✽✻01 M1S11
Matrix / RunoutVariant 3: 2 79287-2 SRC✽✻01 M1S8


Credits
Performer [Pianola Operated By], Other [Booklet Notes By] - Artis Wodehouse
Producer, Engineer - Max Wilcox
Technician [Player Piano Simulation Programmed By] - Richard Brandle
Technician [Rolls Converted By] - Richard Tonnesen

Notes
Reconstruction of George Gershwin's own piano playing, using piano rolls that he arranged himself between 1916 and 1933.

Produced and engineered between November 1992 and June 1993 at the American Academy of Arts and Letters, New York City.
Original piano rolls courtesy of Keystone Music Roll Company.

CD booklet notes contain biographical data about Gershwin as well as information about the reconstruction process.

Arrangement of track 12 is originally credited to "Milne and Leith", which is in reality only one person. The complexity of the arrangement would have required a four-handed piano performance, which Milne faked by also giving credits to his own pseudonym "Leith".

Brief summary of the reconstruction process:
Some piano rolls were played back by a 1911 Pianola vorsetzer (operated by Wodehouse), which in turn operated a 9-foot Yamaha Disklavier grand piano. Other rolls were converted to MIDI files (by Tonnesen and Brandle), which could be fed directly to the Disklavier.
The Disklavier's performance is what is recorded on this release.

     
First Press Records (Michigan, United States)

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