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Note
Images above and Tracklist and other information below have been provided by a third party and may differ from the actual item for sale. Contact the seller with any questions or to confirm details.
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Buy both the SACD and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the SACD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the SACD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the SACD only for your ears. The SACD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the SACD + 0 conversion to recordable CD + cost of shipping of the SACD to Arizona + cost of shipping of the SACD from Arizona to your location paid in advance.
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| Format: | | SACD |
| Condition: | | M- / M- (Media / Cover) More Info |
| Label: | | Columbia 0960005000 |
| Country: | | Europe |
| Released: | | 2005-06-13 |
| Genre: | | Symphonic Rock |
| Num In Set: | | 2 |
| Barcode: | | 5099709600050 |
| Quantity: | | 1 in stock |
| Seller Ref: | | DRN|1075025 |
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Tracklist
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| The Coming Of The Martians | 45:09 | | 1-1 | The Eve Of The War | 9:06 | | 1-2 | Horsell Common And The Heat Ray | 11:36 | | 1-3 | The Artilleryman And The Fighting Machine | 10:36 | | 1-4 | Forever Autumn | 7:43 | | 1-5 | Thunder Child | 6:10 | | The Earth Under The Martians | 49:34 | | 2-1 | The Red Weed (Part 1) | 5:55 | | 2-2 | The Spirit Of Man | 11:41 | | 2-3 | The Red Weed (Part 2) | 6:51 | | 2-4 | The Artilleryman Returns | 1:27 | | 2-5 | Brave New World | 12:13 | | 2-6 | Dead London | 8:37 | | 2-7 | Epilogue (Part 1) | 2:42 | | 2-8 | Epilogue (Part 2) (NASA) | 2:02 |
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Barcode and Identifiers
Barcode: 5 099709 600050
BarcodeScanned: 5099709600050
Label Code: LC 00162
Rights Society: MCPS/BIEM/SDRM
Matrix / RunoutCD1, layer A; variant 1: Sony Music S0960005000-A912 17 A 4
Mastering SID CodeCD1, layer A; variant 1: IFPI L557
Matrix / RunoutCD1, layer B; variant 1: Sony Music S0960005000-B912 13 1A
Mastering SID CodeCD1, layer B; variant 1: IFPI L558
Mould SID CodeCD1; variant 1: IFPI 94A6
Matrix / RunoutCD1, layer A; variant 2: S0960005000-A912 17 A 15
Mastering SID CodeCD1, layer A; variant 2: IFPI L557
Matrix / RunoutCD1, layer B; variant 2: S0960005000-B912 28 A1
Mastering SID CodeCD1, layer B; variant 2: IFPI L558
Mould SID CodeCD1; variant 2: IFPI 94B1
Matrix / RunoutCD1, layer A; variant 3: S0960005000-A912 17 A6 Sony Music
Mastering SID CodeCD1, layer A; variant 3: IFPI L557
Matrix / RunoutCD1, layer B; variant 3: S0960005000-B912 18 5 A Sony Music
Mastering SID CodeCD1, layer B; variant 3: IFPI L558
Mould SID CodeCD1; variant 3: IFPI 94A6
Matrix / RunoutCD1, layer A; variant 4: Sony Music S0960005000-A912 17 A8
Mastering SID CodeCD1, layer A; variant 4: IFPI L557
Matrix / RunoutCD1, layer B; variant 4: Sony Music S0960005000-B912 18 8A
Mastering SID CodeCD1, layer B; variant 4: IFPI L558
Mould SID CodeCD1; variant 4: IFPI 94B3
Matrix / RunoutCD1, layer A; variant 5: Sony Music S0960005000-A912 17 A 4
Mastering SID CodeCD1, layer A; variant 5: IFPI L557
Matrix / RunoutCD1, layer B; variant 5: Sony Music S0960005000-B912 18 5 A
Mastering SID CodeCD1, layer B; variant 5: IFPI L558
Mould SID CodeCD1; variant 5: IFPI 94A6
Matrix / RunoutCD1, layer A; variant 6: Sony Music S0960005000-A912 17 A4
Mastering SID CodeCD1, layer A; variant 6: IFPI L557
Matrix / RunoutCD1, layer B; variant 6: Sony Music S0960005000-B912 18 A7
Mastering SID CodeCD1, layer B; variant 6: IFPI L558
Mould SID CodeCD1, variant 6: IFPI 94A6
Matrix / RunoutCD2; layer A: variant 1: Sony Music S0100607583-A922 17 A 7
Mastering SID CodeCD2; layer A; variant 1: IFPI L557
CD2; layer :
Credits
Art Direction [Art Director], Design [Logo] - John Pasche
Artwork [Adapted By] - Simon Cantwell
Artwork [Pencil Sketches] - Michael Trim
Bass Guitar - Herbie Flowers
Composed By, Orchestrated By, Conductor, Producer - Jeff Wayne
Design [Designed By] - Michael Bell Design
Directed By [Dramatic & Narrative Sections] - Charles Dubin, Jerry Wayne
Drums - Barry Morgan
Effects [Sound Effects Maker] - Geraldine Wayne
Executive Producer - Jerry Wayne
Guitar - Chris Spedding, Jo Partridge
Management [The Orp Team - Financial Management] - Matthew Levitt
Management [The Orp Team - Jwm Group Md] - Damian Collier
Mastered By [2005 Mastering, Assistant] - Sarah Register
Mastered By [2005 Mastering] - Emily Lazar
Mastered By [Original, 1978] - Bill Foster
Mixed By, Restoration [2005 Sound] - Gary Langan
Music By - Jeff Wayne
Other [Assistant To Gary Langan] - Gaetan Schrurrer
Other [The Orp Team - Accounts & Contracts] - Scott Burke
Other [The Orp Team - Head Of Administration] - Janice Page
Other [The Orp Team - Image Clearances] - Nyasha Kuwana & Julia Boyadjieva
Painting [Paintings] - Geoff Taylor, Michael Trim, Peter Goodfellow
Percussion - Barry De Souza, Ray Cooper, Roy Jones
Performer [The Players - Beth (the Wife Of Parson Nathaniel)] - Julie Covington
Photography By [Images - Hg Wells, Page 42] - Rex Features
Photography By [Images - Jeff Wayne, Page 39] - Brian Aris
Piano, Harpsichord - Jeff Wayne
Recorded By [At Advision], Mixed By [At Advision] - Geoff Young
Research [The Orp Team - Musical Research] - Amanda Hughes
- Jane Jones
Notes
'To my father, this rendering of his idea'.
Adapted from the classic science fiction story by HG Wells.
Original mastering (1978) at Tape One, London. 2005 mastering at The Lodge, New York City.
A 48 track Production recorded at Advision Studios, London between May 18, 1976 and June 30, 1977.
First released June 9, 1978.
These original 48-track analogue recordings were transferred in 96kHz 24-bit format, re-synced, edited and mixed in both stereo and 5.1 entirely in Pro Tools HD Accel.
Phil Lynott appeared by courtesy of Phonogram, Julie Covington appeared by courtesy of Virgin Records Limited, Justin Hayward appeared by courtesy of The Decca Record Company Limited, Chris Thompson appeared by courtesy of Warner Bros Records Inc.
Music Co-ordination: Music Activity Management & The General Booking Company.
Published by Jeff Wayne Music (Publishing) Limited & Sony / ATV Music Publishing Limited except track 1.4 published by Jeff Wayne Music (Publishing) Limited & Universal Music Publishing Inc.
℗ 2005 Ollie Record Productions and exclusively licensed to Sony BMG Music Entertainment (UK) Limited.
© 2005 Ollie Record Productions and exclusively licensed to Sony BMG Music Entertainment (UK) Limited.
Original sound recording made by Ollie Record Productions. The copyright in this sound recording is owned by Ollie Record Productions and exclusively licensed to Sony BMG Music Entertainment (UK) Limited.
Distribution: SONY BMG Music Entertainment.
Issued in a deluxe tri-fold Digipak with forty-eight page booklet.
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CD-Maxi-Single (Netherlands)
Overall Rating: 
Feedback: 97.1% positive (466 ratings)
Fill Rate: 78% availability
Time To Ship: 1.2 days
Response Time: Response Time: 0.8 days (18.3 hrs)
Seller For: 21 years
Transactions: 1,248
0 items Updated 84 days ago
Payment Accepted:
PayPal, EU Banktransfer (IBAN: NL06INGB0009250026) |
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