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Taylor Dayne

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Soul Dancing

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Format:		CD
Condition:		Click for Information
Label:		Arista 74321 15421 2
Country:		Europe
Released:		1993
Genre:		Electronic, Pop
Barcode:		7 43211 54212 8
Quantity:		1 in stock
Tracklist 1 I'll Wait-Co-producer – Taylor Dayne Recorded By, Mixed By, Programmed By, Keyboards – Shep Pettibone, Tony Shimkin-Written-By – Shep Pettibone, Taylor Dayne, Tony Shimkin 4:42 2 Send Me A Lover-Arranged By, Mixed By – Claude Gaudette Backing Vocals – Warren Wiebe-Bass – Niel Stubenhaus* Coordinator – Tony DeFranco-Engineer – Alex Rodriguez (3), Humberto Gatica Engineer [Assistant] – Felipe Elgueta-Guitar [Guitars] – Michael Landau Piano [Acoustic] – David Foster-Producer, Mixed By – Humberto Gatica Written-By – George Thatcher, Rick Hahn 4:29 3 Can't Get Enough Of Your Love Backing Vocals – Audrey Wheeler, Cindy Mizelle, Paulette McWilliams Engineer – Acar S. Key-Engineer [Mix] – Bob Rosa-Guitar – Chuck Loeb Keyboards – David Cole-Percussion – Bashiri Johnson Percussion, Drums – Robert Clivillés Producer, Arranged By, Mixed By – Robert Clivillés And David Cole Programmed By – James T. Alfano, Ricky Crespo Written-By – Barry White 4:25 4 Say A Prayer-Engineer [Mix] – Bonzai Jim Caruso* Engineer [Recording] – P. Dennis Mitchell* Keyboards, Programmed By – Shep Pettibone, Tony Shimkin Written-By – Shep Pettibone, Taylor Dayne, Tony Shimkin 5:10 5 Dance With A Stranger-Arranged By – Ric Wake, Rich Tancredi Backing Vocals – Joe Lynn Turner, Taylor Dayne, Tony Harnell Bass – TM Stevens-Drums – Joe Franko Engineer [Additional] – Dan Hetzel, Rick Bieder Engineer [Track & Mix] – Bob Cadway-Guitar – Al Pitrelli Saxophone – Richie Cannata-Written-By – Marc S. Cawley* 4:27 6 I Could Be Good For You-Arranged By – Ric Wake, Rich Tancredi Backing Vocals – Joe Lynn Turner, Joe Turano, Tony Harnell Bass – TM Stevens-Drums – Joe Franco Engineer [Additional] – Dan Hetzel, Rick Bieder, Thomas R. Yezzi Engineer [Assistant Backing Vocals Recording] – Mario Luccy Engineer [Backing Vocals Recording] – Guy Roche Engineer [Track & Mix] – Bob Cadway-Guitar [Guitars] – Al Pitrelli Keyboards – Rich Tancredi-Saxophone – Charlie De Chant Written-By – Diane Warren 4:24 7 Soul Dancing-Backing Vocals – Karen Anderson, Monique Sorel Engineer [Mix] – Goh Hotoda Engineer [Recording] – P. Dennis Mitchell, Goh Hotoda Keyboards [Additional], Programmed By [Additional] – Peter Shwartz Keyboards, Programmed By – Shep Pettibone, Tony Shimkin Written-By – Shep Pettibone, Taylor Dayne, Tony Shimkin 4:35 8 The Door To Your Heart-Arranged By – Ric Wake, Rich Tancridi* Drums – Joe Franco-Engineer [Additional] – Dan Hetzel, Rick Bieder, Thomas R. Yezzi-Engineer [Track & Mix], Guitar – Bob Cadway Keyboards – Rich Tancredi-Vocals [Duet] – Keith Washington Written-By – Diane Warren 4:10 9 Someone Like You-Arranged By – Ric Wake, Tommy Faragher Backing Vocals – Eddie Stockley, Kenny Bobien Drum Programming – Richie Jones-Engineer [Additional] – Dan Hetzel, Rick Bieder-Engineer [Track & Mix] – Bob Cadway Keyboards – Rich Tancredi, Tommy Faragher-Producer – Taylor Dayne Written-By – Lotti Golden, Taylor Dayne, Tommy Faragher 3:50 10 Memories-Arranged By – Ric Wake, Tommy Faragher Backing Vocals – Lotti Golden, Taylor Dayne-Drums – Joe Franco Engineer [Additional] – Dan Hatzel, Ric Bieder Engineer [Track & Mix], Guitar – Bob Cadway Keyboards – Tommy Faragher-Producer – Taylor Dayne Written-By – Lotti Golden, Taylor Dayne, Tommy Faragher 4:43 11 If You Were Mine Backing Vocals – Jeanie Tracy, Kitty

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Tracklist
1	I'll Wait	4:42
2	Send Me A Lover	4:29
3	Can't Get Enough Of Your Love	4:25
4	Say A Prayer	5:10
5	Dance With A Stranger	4:27
6	I Could Be Good For You	4:24
7	Soul Dancing	4:35
8	The Door To Your Heart	4:10
9	Someone Like You	3:50
10	Memories	4:43
11	If You Were Mine	5:01
12	Let's Spend The Night Together	5:35

eddy fret (antwerpen, Belgium)

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Conditions and Grading

Goldmine Grading Standard:

Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.