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Note
Images above and Tracklist and other information below have been provided by a third party and may differ from the actual item for sale. Contact the seller with any questions or to confirm details.
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Buy both the CD and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
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Format: | | CD |
Condition: | | MINT (M) / NEAR MINT (NM OR M-) (Media / Cover) More Info |
Label: | | Columbia 4926042 |
Country: | | Europe |
Released: | | 1998 |
Genre: | | Contemporary R&B |
Num In Set: | | 1 |
Barcode: | | 5099749260429 |
Quantity: | | 1 in stock |
Seller Ref: | | 1348654642 1 |
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Tracklist
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1 | Sweetheart | 4:25 | 2 | When You Believe | 4:36 | 3 | Whenever You Call | 4:23 | 4 | My All | 3:52 | 5 | Honey | 5:01 | 6 | Always Be My Baby | 4:19 | 7 | One Sweet Day | 4:42 | 8 | Fantasy (Remix) | 4:54 | 9 | Hero | 4:20 | 10 | Dreamlover | 3:54 | 11 | I'll Be There | 4:25 | 12 | Emotions | 4:11 | 13 | Someday | 4:07 | 14 | Love Takes Time | 3:49 | 15 | Vision Of Love | 3:31 | 16 | I Still Believe | 3:56 | 17 | Without You | 3:35 | 18 | Do You Know Where You're Going To (Theme From Mahogany) | 3:47 |
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Barcode and Identifiers
BarcodeScanned EAN: 5099749260429 Barcode: 5 099749 260429 Rights Society: SACEM SDRM SACD SGDL Rights Society: BIEM Label Code: LC0162 Price Code: CB 821 Format code: CDE Format code: CX Manufacturing code: 01-492604-10 Matrix / RunoutVariant 1: Sony Music S0149260410-0101 72 A2 Mastering SID CodeVariant 1: IFPI L552 Mould SID CodeVariant 1: IFPI 94Y3 Matrix / RunoutVariant 2: Sony Music S0149260410-0101 72 B2 Matrix / RunoutVariant 3: Sony Music S0149260410-0101 82 B1 Mastering SID CodeVariant 3: IFPI L552 Mould SID CodeVariant 3: IFPI 946P Matrix / RunoutVariant 4: Sony Music S0149260410-0101 52 B6 Mastering SID CodeVariant 4: IFPI L552 Matrix / RunoutVariant 5: Sony Music S0149260410-0101 144 A01 Mastering SID CodeVariant 5: IFPI L554 Mould SID CodeVariant 5: IFPI 94K4 Matrix / RunoutVariant 6: Sony Music S0149260410-0101 52 B9 Mastering SID CodeVariant 6: IFPI L552 Mould SID CodeVariant 6: IFPI 94Y7 Matrix / RunoutVariant 7: Sony Music S0149260410-0101 82 B2 Mastering SID CodeVariant 7: IFPI L552 Mould SID CodeVariant 7: IFPI 948C Matrix / RunoutVariant 8: Sony Music S0149260410-0101 92 C4 Mastering SID CodeVariant 8: IFPI L552 Mould SID CodeVariant 8: IFPI 945N Matrix / RunoutVariant 9: Sony Music S0149260410-0101 22 C00 Mastering SID CodeVariant 9: IFPI L552 Mould SID CodeVariant 9: IFPI 6315 Matrix / RunoutVariant 10: Sony Music S0149260410-0101 92 B4 Mastering SID CodeVariant 10: IFPI L552 Mould SID CodeVariant 10: IFPI 944B Matrix / RunoutVariant 11: Sony Music S0149260410-0101 92 C13 Mastering SID CodeVariant 11: IFPI L552 Mould SID CodeVariant 11: IFPI 949C Matrix / RunoutVariant 12: Sony Music S0149260410-0101 92 J3 Mastering SID CodeVariant 12: IFPI L552 Mould SID CodeVariant 12: IFPI 941L Matrix / RunoutVariant 13: Sony Music S0149260410-0101 92 H2 Mastering SID CodeVariant 13: IFPI L552 Mould SID CodeVariant 13: IFPI 941L Matrix / RunoutVariant 14: Sony Music S0149260410-0101 144 A00 Mastering SID CodeVariant 14: IFPI L554 Variant:
Credits Arranged By - Mariah Carey (Tracks: 3, 4, 6 to 12 to 14, 17), Walter Afanasieff (Tracks: 3, 4, 7, 9 to 11, 14, 17) Backing Vocals - Kelly Price (Tracks: 6, 11, 17), Melonie Daniels (Tracks: 5, 6, 11, 16, 17) Engineer - Dana Jon Chappelle (Tracks: 1, 3 to 5, 7, 14, 16 to 18) Engineer [Vocals] - Dana Jon Chappelle (Tracks: 2, 7, 9, 10) Mastered By - Bob Ludwig Mixed By - Dana Jon Chappelle (Tracks: 3, 11, 14, 16, 18), Mick Guzauski (Tracks: 3, 4, 6, 7, 9, 10, 17) Producer - Mariah Carey (Tracks: 3 to 12, 16 to 18), Walter Afanasieff (Tracks: 3, 4, 7, 9 to 11, 14, 17)
Notes Made in Austria.
Variant 8 released with two stickers: one in English and other in Spanish for the distribution in Spain. Variant 9 has a "✱" underneath the mould SID code and a very unusual code itself (6315) that does not match with the mastering SID code L552. Variant 10 and 11 also has a "✱" underneath the mould SID code. Variant 11 released with two stickers: Mariah Carey's Number One US Hits (black hype sticker) and Megastar sticker (see image which includes both stickers).
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Conditions and Grading
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor
, Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.