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Buy both the CD and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
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Format: | | CD |
Condition: | | MINT (M) / NEAR MINT (NM OR M-) (Media / Cover) More Info |
Label: | | Epic EPC5134712 |
Country: | | Europe |
Released: | | 2004-03-29 |
Genre: | | Pop Rock |
Num In Set: | | 1 |
Barcode: | | 5099751347125 |
Quantity: | | 1 in stock |
Seller Ref: | | 1081948317 1 |
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Tracklist
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1 | Seasons Change | 4:17 | 2 | Left Outside Alone | 4:17 | 3 | Time | 3:33 | 4 | Sick And Tired | 3:30 | 5 | Heavy On My Heart | 4:26 | 6 | I Do | 3:04 | 7 | Welcome To My Truth | 4:03 | 8 | Pretty Little Dum Dum | 4:37 | 9 | Sexy Single | 3:52 | 10 | Rearview | 4:12 | 11 | Where Do I Belong | 3:26 | 12 | Maybe Today | 5:15 |
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Barcode and Identifiers
BarcodeScanned, EAN-13: 5099751347125 Barcode: 5 099751 347125 Label Code: LC 00199 Rights Society: SACD SACEM SCDL SDRM Rights Society: BIEM Rights Society: ASCAP Rights Society: BMI Rights Society: SESAC Rights Society: PRS Matrix / RunoutVariant 1: S0100514137-0101 11 Matrix / RunoutVariant 2: S0100514137-0101 11 B23 Matrix / RunoutVariant 3: S0100514137-0101 11 A 11 Matrix / RunoutVariant 4: Sony Music S0100514137-0101 11 A1 Matrix / RunoutVariant 5, 11, 15: Sony Music S0100514137-0101 44 C10 Matrix / RunoutVariant 6: Sony Music S0100514137-0101 21 A10 Matrix / RunoutVariant 7, 17: Sony Music S0100514137-0101 21 A6 Matrix / RunoutVariant 8: Sony Music S0100514137-0101 11 B8 Matrix / RunoutVariant 9: Sony Music S0100514137-0101 11 A8 Matrix / RunoutVariant 10: Sony Music S0100514137-0101 11 B10 Matrix / RunoutVariant 12: Sony Music S0100514137-0101 11 A9 Matrix / RunoutVariant 13: Sony Music S0100514137-0101 21 A8 Matrix / RunoutVariant 14: Sony Music S0100514137-0101 21 A4 Matrix / RunoutVariant 16: Sony Music S0100514137-0101 21 A3 Mastering SID CodeVariant 1 to 4, 6 to 10, 12 to 14, 16, 17: IFPI L551 Mastering SID CodeVariant 5, 11, 15: IFPI L554 Mould SID CodeVariant 1, 2: IFPI 94V4 Mould SID CodeVariant 3, 12: IFPI 944N Mould SID CodeVariant 4: IFPI 94U2 Mould SID CodeVariant 5, 17: IFPI 948S Mould SID CodeVariant 6: IFPI 948P Mould SID CodeVariant 7: IFPI 944S Mould SID CodeVariant 8: IFPI 943Q Mould SID CodeVariant 9: IFPI 943N Mould SID CodeVariant 10: IFPI 942T Mould SID CodeVariant 11: IFPI 948N Mould SID CodeVariant 13: IFPI 945A Mould SID CodeVariant 14: IFPI 945T Mould SID CodeVariant 15: IFPI 94K8 Mould SID CodeVariant 16: IFPI 947S
Credits A&R - David Massey Art Direction, Design - Julian Peploe Coordinator [A&R] - Evan L Executive-Producer - Anastacia Executive-Producer, Management [Artist Management] - Lisa Braudé Mastered By - Ted Jensen Other [Hair] - Robert Vetiga Other [Makeup] - Francesca Tolot, Sharon Gault Other [Styling] - Ligia Morris Photography By - Isabel Snyder
Notes © 2004 Sony Music Entertainment Inc. / ℗ 2004 Sony Music Entertainment Inc.
1 - Universal Music Corp/Poho Productions (ASCAP)/K'Stuff Publishing/Corner Of Clark And Kent Music/EMI Virgin Music, Inc. (ASCAP) Recorded at Record Plant, O'Henry Studios, Record One, Larrabee East, CA Mixed at Image Studios, CA 2 - Universal Music Corp/Poho Productions (ASCAP)/EMI Blackwood Music Inc. obo itself and Crypton Music (BMI)/Aerostation Corporation/Universal - MCA Music Publishing a div. of Universal Studios, Inc. (ASCAP) Recorded at O'Hentry Studios, Record One and Record Plant, CA Mixed at South Beach Studios, Miami Beach, FL 3, 4 - Universal Music Corp/Poho Productions (ASCAP)/Crypton Music/EMI Blackwood Music, Inc. (BMI)/Aerostation Corporation/Universal - MCA Music Publishing a div. of Universal Studios, Inc. (ASCAP) Recorded at O'Henry Studios, Larrabee East, Record Plant, Record One, CA Mixed at South Beach Studios, Miami Beach, FL 5 - Universal Music Corp/Poho Productions (ASCAP)/Sony/ATV Sounds LLC/Turtle Victory Music (SESAC) Recorded at Record Plant, Record One, and Larrabee East Mixed at Image Studios Vocals recorded at Henson Studios 6 - Universal Music Corp/Poho Productions (ASCAP)/K'Stuff Publishing/EMI Music Publishing Ltd./Reverb Music Ltd admin, by Songs Of Universal, Inc/Danny Weissfeld Designee (BMI) Additional production for W&R Group Recorded at Cove City Sound Studios, NY, The Hit Factory Criteria, Miami, FL Mixed at Cove City Sound Studios, NY 7 - Universal Music Corp/Poho Productions (ASCAP)/K'Stuff Publishing (BMI)/WB Music Corp/Dylan Jackson Music (ASCAP) Recorded at Henson Recording Studios, Los Angeles, CA Mixed at South Beach Studios, Miami Beach, FL 8 - Universal Music Corp/Poho Productions/Universal-MCA Music Pub a div. of Universal Studio, Inc/Aerostation Corporation (ASCAP)/K'Stuff Publishing (BMI) Recorded at O'Henry Studios, Record Plant, and records One, CA Mixed at Image Studios 9 - Universal Music Corp/Poho Productions (ASCAP)/Eligible
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Conditions and Grading
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor
, Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.