MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
Barcode and Identifiers Barcode: 6 06949 04862 4 Label Code: LC 06406 Price Code: UN 900 Matrix / Runoutvariant 1: 4904862 02 MADE IN UK BY UNIVERSAL M & L Mastering SID Codevariant 1: IFPI L135 Mould SID Codevariant 1: IFPI 04H7 Matrix / Runoutvariant 2: 4904862 01 6 Matrix / Runoutvariant 2: MADE IN THE UK BY UNIVERSAL M&L Mastering SID Codevariant 2: IFPI L136 Mould SID Codevariant 2: IFPI 04D6 Matrix / RunoutVariant 3: 4904862 01 6 Matrix / RunoutVariant 3: MADE IN THE UK BY UNIVERSAL M&L Mastering SID CodeVariant 3: IFPI L136 Mould SID CodeVariant 3: IFPI 04A4 Rights Society: BIEM/MCPS Rights Society: ASCAP Rights Society: BMI
Credits A&R [A&R Direction] - Big Chuck, Michael Lynn Art Direction, Design - Jason Clark Artwork [Collage Concept] - Charis Henry Coordinator [Aftermath Project Coordinator] - Damon "Bing" Chatman Coordinator [Interscope Photo Shoot Coordinator] - Ekaterina Kenney Coordinator [Interscope Production Coordinator] - Andrew Van Meter Edited By [Album Editing] - Paul Foley Engineer [Album & Mix Engineer] - Richard "Segal" Huredia Executive-Producer - Dr. Dre Management [Aftermath Product Manager] - Kirdis Tucker Management [Interscope Product Manager] - Michelle Thomas Management [Production Manager] - Larry Chatman Mastered By - Brian Gardner Mixed By - Dr. Dre Photography By - Donn Thompson, Stan Musilik Photography By [Collage Photography] - Richard "Segal" Huredia Technician [Sound Check Provided By] - Kim Bullard
Notes Track 2 recorded at Larrabee West. Track 3 recorded at Encore, Larrabee West Studios, Dre's Crib. Track 4 recorded at A&M Recording/Record One. Track 5 recorded at Skip Saylor's, Can-Am Studios. Track 6 recorded at Sierra Sonics Studios. Track 7 recorded at Skip Saylor's, Larrabee West Studios. Track 9 recorded at Encore, Larrabee North Studios. Tack 10 recorded at Sierra Sonics Studios, Larrabee West Studios. Track 11 recorded at Sierra Sonics, Encore Studios. Track 12 recorded at Skip Saylor's Studios. Track 13 recorded at Skip Saylor's & Larrabee West Studios. Track 15 recorded at Sierra Sonics, Encore, Larrabee West Studios. Track 17 recorded at Encore Studios, Larrabee North, Larrabee West. Track 19 recorded at Sierra Sonics, Larrabee North Studios. Track 20 recorded at Larrabee West. Track 21 recorded at Encore, Larrabee West Studios. Track 22 recorded at D & D Recording, Encore Studios.
All tracks mixed at Larrabee Sound Recording Studios/Los Angeles, except track 4 mixed at Larabee [sic] North.
Mastered at Bernie Grundman's Mastering
Art Direction & Design for roquegraphics.com
Track 2 published by A. Young/WB Music Corp./Ain't Nuthin' Goin' On But F****n' Music/ASCAP/M. Mathers/Famous Music Publishing/Eight Mile Style/BMI Track 3 published by A. Young/WB Music Corp./Ain't Nuthin' Goin' On But F****n Music/ASCAP/C. Broadus/My Own Chit Music/EMI Blackwood Music Inc./BMI/D. Copeland/In The Water Publishing/ASCAP/B. Bailey/Loot On Loose Leaves/Big Yacht Publishing/ASCAP Track 4 published by A. Young/WB Music Corp./Ain't Nuthin' Goin' On But F****n Music/ASCAP/M. Bradford/WB Music Corp./Hard Working Black Folks Publishing/ASCAP/S. Carter/EMI Blackwood Music, Inc./Lil Lulu Publishing/BMI/S. Storch/Scott Storch Music/ASCAP Track 5 published by A. Young/WB Music Corp./Ain't Nuthin' Goin' On But F****n Music/ASCAP/M. Bradford/WB Music Corp./Hard Working Black Folks Publishing/ASCAP/T. Curry/Sony Music Publishing/Phat Cat Music/ASCAP/B. Bailey/Loot On Loose Leave
Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
maxmagri (Italy)
Overall Rating:
Feedback: 97.5% positive (42 ratings) Fill Rate: 67% availability Time To Ship: 6.3 days Response Time:Response Time: 2 days
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
------------------------------------------------------------ Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
------------------------------------------------------------ Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
------------------------------------------------------------ Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
------------------------------------------------------------ Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
------------------------------------------------------------- Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
------------------------------------------------------------- Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
Payment Methods Accepted
PayPal
Shipping Costs
Australian buyers must ask for cost first
FOR ORDERS OVER Euro 350, SHIPPING COSTS ARE FREE (ITALY, EUROPE & WORLDWIDE)
1/25 15 LP con corriere a € 6,50 to Italy 26/80 LP con pacco registrato a € 9,00 to Italy 1/55 7" con corriere a € 6,50 to Italy 56/100 7" con pacco registrato a € 9,00 to Italy 1/25 CD con corriere a € 6,50 to Italy 26/100 CD con pacco registrato a € 9,00 to Italy 1/3 LP (regular or heavyweight vinyls) TNT Courier to Germany, France, Slovenia, Spain, Belgium, Netherlands and Austria € 14,90 1/3 LP (regular or heavyweight vinyls) TNT Courier to United Kindom, Denmark, Sweden, Portugal, and Greece € 17,00 1/3 LP regular vinyl courier to the rest of Europe € 38,00 4 LP TNT Courier to United Kindom, Germany, France, Slovenia, Spain, Belgium, Netherlands and Austria € 17,00 4 LP TNT Courier to Denmark, Sweden, Portugal, and Greece € 19,00 5/7 LP TNT Courier to United Kindom, Germany, France, Slovenia, Spain, Belgium, Netherlands and Austria € 19,00 5/7 LP TNT Courier to Denmark, Sweden, Portugal, and Greece € 20,00 4/7 LP TNT Courier to the rest of Europe € 50,00 1/10 7" courier mail € 14,90 10/18 7" Courier € 19,00 1/6 CD registered mail € 14,90 7/14 CD registered mail € 19,00 1/3 LP registered mail € 24,50 to USA 1/3 LP registered mail € 38,50 to Asia, Canada, Mexico, South America 1/6 CD registered mail € 24,50 to USA 1/6 CD registered mail € 38,50 to Asia, Canada, Mexico, South America 1/10 7" registered mail € 24,50 to USA 1/10 7" registered mail € 38,50 to Asia, Canada, Mexico, South America
Return Policy
Items lost in the mail or never show up: refund Damaged items in transit: refund If a buyer order the wrong item and wish to return: he can change paying shipping on return and on the new order If the seller makes an error: deal with the buyer (seller pays shipping on return) Except for seller errors, buyers pay shipping on returns
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery
