Note
Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.
MusicStack has partnered with a vinyl to CD conversion service who will convert the 2CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the 2CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the 2CD only for your ears. The 2CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the 2CD + 0 conversion to recordable CD + cost of shipping of the 2CD to Arizona + cost of shipping of the 2CD from Arizona to your location paid in advance.
Credits Backing Vocals - Andy Caine, Elizabeth Gray, Ewan MacFarlane, Harry K., Mary Byker, Stuart Crichton, Tommy Blaize Cello, Keyboards [Additional], Programmed By - Stuart Crichton Consultant [Breakbeat Consultants] - Freddy & Herman Crew [Racket Scientist] - Rex Sargeant Design - Think 1 Drums - Cliff Hewitt, Paul Kodish Harmonica - Keith Holden Mastered By - John Davis Mixed By [Assistant] - Andrew Nichols, Ashley Krajewski Other [Hair] - John Birchall Painting [Original Painting] - Anthony Ausgang Performer [All Other Sounds/other Instruments] - Apollo 440 Photography By - Tom Sheehan Producer - Apollo 440, Stuart Crichton (Tracks: 1-2, 1-3) Recorded By [Assistant] - Ashley Krajewski Saxophone [Sax] - Stan Francisco Vocals [Whisper] - Kristine Pratt Written-By - Ewan MacFarlane (Tracks: 1-3, 2-5), Howard Gray, Jalaludin M. Nuriddin (Tracks: 1-2, 1-9), Noko, Trevor Gray
Notes CD1 cat# is SSX 4440CD-1 and CD2 is SSX 4440CD-2. 5122702000 is printed on both discs. 5122702003 is printed on the back cover of the booklet.
(C)&(P) 2003 Sony Music Entertainment (UK) Ltd. Sony Music UK is a trademark of Sony Music Entertainment (UK).
Extra info from booklet: Sleeve image: 'Dude Descending Staircase' - Original painting by Anthony Ausgang (Ausgangart.com) - Acrylic on canvas, 1999. Produced at Apollo Control. (Tracks: 1-1, 1-4 to 2-9) Published by Reverb Music Ltd. (Tracks: 1-4, 1-7, 1-8, 2-1, 2-3, 2-4, 2-6, 2-8, 2-9) Published by Reverb Music Ltd./Copyright Control. (Tracks: 1-3, 1-6, 2-5, 2-7)
Track 1-1: Published by Reverb Music Ltd/Tunes By Dune - BMG Music Publishing Intl Ltd. Contains elements from "When The Revolution Comes" written by Abiodun Oyewole. Beatnuts vocals recorded at Chung King Studios, New York City. Track 1-2: Published by Butter Roll Publishing/Reverb Music Ltd. Track 1-5: Published by Reverb Music Ltd./Festival Music Publishing. Contains elements from "People Get Up" written by , published by Two Pepper Music. Track 1-9: Published by Reverb Music Ltd./Butter Roll Publishing. Track 2-1: Reading from "Praised Be Man, fragment from San Francisco Blues" (1956) Courtesy of Jack Kerouac. Track 2-2: Published by Reverb Music Ltd./4AD Music Ltd./Warner's Thunder Music/Rainysongs/Third Spirit Music/WBM Music Corp. - administered by Warner/Chappell Music Ltd./Universal Tunes/Universal Music Publishing Ltd. Contains elements from "Sweatheart" written by Kessler/Davis, published by Warner's Thunder Music/Rainysongs/Third Spirit Music/WBM Music Corp. - administered by Warner/Chappell Music Ltd./Universal Tunes/Universal Music Publishing Ltd. Used with Permission.
e-record (Italia, Italy)
Overall Rating:
Feedback: 97.4% positive (40 ratings) Fill Rate: 14% availability Time To Ship: 2.9 days Response Time:Response Time: 2.3 days
SEALED / MINT:The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT:The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR:The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
Goldmine Grading Standard:
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
------------------------------------------------------------ Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
------------------------------------------------------------ Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
------------------------------------------------------------ Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
------------------------------------------------------------ Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
------------------------------------------------------------- Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
------------------------------------------------------------- Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
Payment Methods Accepted
PayPal
Shipping Costs
Costs of shipping and packing ONLY FOR ITALY Fino A 3 CD O 1 LP € 6.90 Fino A 6 CD O 3 LP € 9.90
Costs of shipping and packing Express courier FOR EUROPE 1 to 2 CDs € 12.90 3 to 5 CDs € 16.90 1 LP € 13.90 2 to 3 LP € 16.90 4 to 5 LP € 24.90 Costs of shipping and packing Post traceable FOR EUROPE 1 to 2 CDs € 9.90 3 to 5 CDs € 12.90 1 LP € 9.90 2 to 3 LP € 12.90 4 to 5 LP € 19.90
Costs of shipping and packing FOR NORTH AFRICA AND THE MEDITERRANEAN 1 to 2 CDs € 12.90 3 to 5 CDs € 16.90 1 to 2 LP € 16.90 3 to 5 LP € 24.90
Costs of shipping and packing FOR USA / CANADA / SOUTH AMERICA / ASIA 1 to 2 CDs € 13.90 3 to 5 CDs € 19.90 1 to 2 LP € 19.90 3 to 5 LP € 24.90
Costs of shipping and packing FOR AUSTRALIA AND REST OF THE WORLD 1 to 2 CDs € 14.90 3 to 5 CDs € 19.90 1 to 2 LP € 24.90 3 to 5 LP € 34.90
Return Policy
The return is accepted within 10 days of receipt, will not be reimbursed the cost of shipping and returning if not in case of an error on our part or defective material.
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery
