Note
Images above and Tracklist and other information below have been provided by a third party and may differ from the actual item for sale. Contact the seller with any questions or to confirm details.
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
Format:
CD
Condition:
NEAR MINT (NM OR M-) / VERY GOOD (VG) (Media / Cover) More Info
Barcode and Identifiers BarcodePrinted: 5 099750 442227 Rights Society: SACD SACEM SDRM SGDL BIEM Label Code: LC 00199 Matrix / RunoutVariant 1: Sony Music S5044222000-0101 13 C4 * Matrix / RunoutVariant 2, 3, 4: Sony Music S5044222000-0101 21 D5 * Matrix / RunoutVariant 5: Sony Music S5044222000-0101 13 A8 * Matrix / RunoutVariant 6, 10: Sony Music S5044222000-0101 21 C2 Matrix / RunoutVariant 6, 10 - Inner ring mould: * Matrix / RunoutVariant 7: Sony Music S5044222000-0101 13 A5 * Matrix / RunoutVariant 8: Sony Music S5044222000-0101 21 D3 Matrix / RunoutVariant 9: Sony Music S5044222000-0101 13 D1 Mastering SID CodeVariant 1, 5, 7, 9: IFPI L553 Mastering SID CodeVariant 2, 3, 4, 6, 10: IFPI L551 Mould SID CodeVariant 1: IFPI 941B Mould SID CodeVariant 2, 5: IFPI 944A Mould SID CodeVariant 3: IFPI 947A Mould SID CodeVariant 4: IFPI 949C Mould SID CodeVariant 6, 8: IFPI 946A Mould SID CodeVariant 7, 9: IFPI 947C Mould SID CodeVariant 10: IFPI 946B
Credits Art Direction - Lane/Donald Art Direction [Special Edition] - David Coleman, Nancy Donald Co-producer - Michael Jackson (Tracks: 1, 5, 6) Compiled By [Special Edition Material] - Bruce Swedien, Bruce Swedien Design [Slipcase Adaptation Design] - Andy Engel Design [Special Edition] - David Coleman, Monster X Edited By [Special Edition] - Rob Herrera, Stuart Brawley Engineer [Assistant, Additional Sound Sources, Original Album] - Mark Ettel Engineer [Assistant, Original Album] - Steve Bates Engineer [Technical, Original Album] - Matt Forger Executive-Producer [Special Edition] - Bruce Swedien, Michael Jackson Interviewee - Quincy Jones (Tracks: 10, 12, 14, 16, 21), Rod Temperton (Tracks: 15, 18) Mastered By [Originally Mastered By], Remastered By - Bernie Grundman Other [Styling] - Valadé / Design Pool Photography By - Dick Zimmerman Photography By [Special Edition] - Dick Zimmerman, Lester Cohen, Ralph Nelson, Sam Emerson, Stephen Vaughan Producer [Original Album] - Quincy Jones Recorded By [Additional Sound Sources, Original Album] - Humberto Gatica, Matt Forger Recorded By [Original Album], Mixed By [Original Album] - Bruce Swedien Typography [Lettering] - Mac James
Notes Sticker text (front): 'SPECIAL EDITION' NEW STATE OF THE ART REMASTERED VERSION OF THE BIGGEST SELLING ALBUM OF ALL TIME WINNER OF 8 GRAMMY® AWARDS GOLD COLORED CD PLUS 30 MINUTES OF RARE BONUS FEATURES INCLUDING: "SOMEWHERE IN THE DARK" (available for the first time on a Michael Jackson solo album) Michael's original demo version of "BILLIE JEAN" "CAROUSEL" an out-take from the "Thriller" recording sessions Michael Jackson and Vincent Price voice-over session segment Vincent Price reading the never-before heard 2nd verse of the "Thriller" rap All New Interview with Legendary Producer Quincy Jones Deluxe Special package with New Booklet and Photos 5044222004
Similar to a later edition of Thriller without carded sleeve, this edition has a gold disc issued with Special Edition sticker and with gold hot foil embossing on a carded sleeve.
Original album Produced for Quincy Jones Productions. Recorded and mixed using the Acusonic Recording Process. Additional sound sources recorded at Ocean Way Recording Studios, Los Angeles, CA. Recorded at Westlake Audio, Los Angeles, CA. Album recording began with the first sessions at Westlake Studios in Los Angeles with Michael Jackson and Paul McCartney recording "The Girl Is Mine" at 12:00 noon on Wednesday April 14, 1982 and concluded witht the last day of mixing the album on Monday November 8, 1982. Originally mastered on Thursday, November 11, 1982.
The original album was released Tuesday, November 30, 1982 by Epic Records (38112).
The Quincy Jones interview: Part I: About "Someone In The Dark". Part II: About production, and several tracks on the album. Part III: About the album and music videos. Part IV: About how they got Vincent Price to appear on "Thriller". Part V: About "Carousel" Part VI: Final thoughts on the album.
The Rod Temperton interview: Part I: About how they got Vincent Price to appear on "Thriller". Part II: About "Carousel".
The voice over session from "Thriller" also includes Vincent Price rea
Michael Stokoe (United Kingdom)
Overall Rating:
Feedback: 100% positive (1 ratings) Fill Rate: 55% availability Response Time:Response Time: 0.7 days (16.7 hrs)
Mint (M) Vinyl Absolutely perfect in every way. Certainly never been played, possibly even still sealed. CD Perfect. No scuffs/scratches, unplayed - possibly still sealed. Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed. Cassette J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Near Mint (NM or M-) Vinyl A nearly perfect record. A NM or M- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc. CD Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling. Cassette Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage. Very Good Plus (VG+) Vinyl Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint. CD A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar). Cassette Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG) Vinyl Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. CD Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+. Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Cassette Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+) Vinyl A record in Good or Good Plus condition will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable, noticeable surface noise and "ticks" will almost certainly accompany the playback. CD There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip. Cassette Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. May have heavier degradation that will overpower music.
Poor (P), Fair (F) Vinyl The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon. CD The CD may or may not play some or all of the tracks. See the seller's comments for details. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged. Cassette Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through. Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable. Generic Within the context of grading items, the term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the “Item condition comment” field if needed.
Payment Methods Accepted
PayPal
Shipping Costs
Royal Mail weight limit is 2kg, after that a courier will have to be used.
All UK shipping will be via Royal Mail 2nd class standard delivery, this means NO tracking information.
All other shipping will be via Royal Mail international standard, this means NO tracking information.
Box sets can sometimes be cheaper to send via courier, ask for details.
If the value of your order is £20 or more items will only be shipped via Royal Mail tracked and signed or courier, whichever is cheapest. Please ask for details, tracking information will be given.
All orders include cases and protective packaging.
Shipping to Brazil will require you send a S10 customs tax code prior to despatch.
If you're uncertain about postage costs please contact me for details.
Single Album/12" - UK 2nd Class - £6 Single Album/12" - Europe - £12.50 Single Album/12" - World - £17 Single Album/12" - USA - £22.00 Single Album/12" - Australia/N Zealand - £12.00 7" Single/Cd Album - UK 2nd Class - £4 7" Single/Cd Album - Europe - £7.00 7" Single/Cd Album - World - £9.00 7" Single/Cd Album - USA - £10.50 7" Single/Cd Album - Australia/N Zealand - £11.00 Cd Single/Cassette - UK - £4 Cd Single/Cassette - Europe - £8 Cd Single/Cassette - World - £10 Cd Single/Cassette - USA - £10.50 Cd Single/Cassette - Australia/N Zealand - £12 Box Sets: UK £7.00 Box Sets: Europe From Between £10.00 & £24.00 Box Sets: World From Between £15.00 & £33.00
Return Policy
If your order is lost, stolen or never arrives i will issue a refund for the value of the item only, minus Music stack and paypal fees. Since I take HD photos of every item I sell prior to despatch,if your order is damaged in transit, it will be your responsibility to claim against the mail service used or i will offer a partial refund dependant on the damage I accept returns in the same condition i sent them to you. Buyer pays all return shipping costs. If i make a mistake i will pay all return shipping costs and correct the order or refund you.
Seller Information
All orders are photographed prior to despatch for proof should anything happen during transit. I will ship to anywhere in the world and use the cheapest form of delivery available with suitable protective packaging. Shipping to brazil will require an S10 code prior to sending.
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery